• Lawrence Agyei
    Bonhomous in its openness, with a classic, clean quality, Lawrence Agyei’s work shows just how cool it can be to be calmly shot without chicanery—fantastic.

  • J. Quazi King
    J. Quazi King’s photography wears its cool casually; wearing candy-like haute carriage with the intimacy of a searching portrait, it is immediate, it is tender, it is bold, it is unflinching, it is amazing.

  • zuru 1024
    Spacey, dreamy, dour, dense, intense photographs are zuru 1024’s specialty—the photography has the feel of those nighttime hours when time slips by in slack beats, but without the emptiness that permeates the air then; the photos are still so very human.

  • Josh Chang
    Fashionably fey, Josh Chang’s photography has this heavy, almost wet feel that presses, but in a compelling manner, forcing a sort of brooding reflection, even as one revels in all the slick tones and flashing color populating his pieces.

  • RIĆOR
    Daftly haute, and so still,     RIĆOR’s photography is like looking at a fey and fashionable catch in time, one faded, but not aged, retaining all of its vibrancy. 

  • Marie Zucker
    Rich and dense with decadent grit, Marie Zucker’s photography seems the record of haute-land sprites come to revel in their own beauty and fashionableness who’ve deigned to allow themselves to be captured on film by one who’s adroitness befits their station.

  • Red de Leon
    Red de Leon so suspends his subjects that they almost appear to be sculpted, to be neat tricks of plastic and hair, para-human museum pieces—it puts emphasis on their clothes, gives rise to thoughts on beauty and all the parts that make us up, and looks quite cool as well.

  • 许 哲桢
    Alternately stone-serious and flightily fun, casually natural, then saturated with salty light, 许 哲桢’s work is wide-eyed, casting out a direct interface with these enigmatically emotive figures in midnight-hour environs, while still inviting viewers into 许 哲桢’s world.

  • Valerie Chiang
    With the easy fun of a sunny Sunday, Valerie Chiang’s work feels buoyant, springy—its natty denizens at peace with all around them; this in turn, makes the viewer smile happily as well.

  • Jan Rasmus Voss
    Seeming almost more fit for the screen than for glossy magazine pages, Jan Rasmus Voss’ pieces fill their frames full of stylized, story-laden images that are both rich and memorable.