Salvatore Lo Medico

If the flavor of these cinematic posters tastes familiar, that’s because we featured Salvatore Lo Medico’s Kickstarter project for similar posters last month. Not one to get complacent after being successfully funded, Sal’s back with another Kickstarter project for the people already. This time he’s got awesome artwork of Ant-Man, Back to the Future, and Mad Max 2, along with a second run of Cowboy Bebop. The man’s work is consistently dope, and I don’t mean medical. There’s only a couple days left but fortunately that means there’s a few of these limited posters left to pick up.

Autumn Whitehurst
Porcelain smooth, bubblegum toned, quietly stylish—Autumn Whitehurst’s work feels still as a made-up mind, calmly radiating a graceful, natty beauty, one slick and haute, but still earthly, still human.

Jolene Lai
Round with flat gloss, colors and shades bending light in that cool nighttime way that comes only once in a blue moon, sculptural layers pulling the viewer in, shadows framing the composition like the perfect haircut does a face—it all takes you to a wonderland where time and place and face and identity are fluid and uncertain, where the impossible happens casually, and where the magical is believable because you yourself have just been bewitched by the power of Jolene Lai’s hand.

Jorge Roa
With avian grace, a meticulous hand, and a minute eye for detail, Jorge Roa limns the living with a nuanced flatness, fine lines and earthly shadows, celestial shading and super color giving them a two-dimensional life that feels as full and complex and enrapturing as their three-dimensional ones must.

Nicole Gastonguay
Nicole Gastonguay’s soft works sing with sweet souls; her takes on the blandly normal project an adorable aura, one whose touch engenders a sort of nostalgia sans bitterness, the ideas and feelings one has wrapped up in these familiar objects shooting to the fore, smilingly, the swell of happy positivity making the viewer smile as well.

Ka-Man Tse
Searching souls sift among lost things and forgotten places and sites of opportunity and dignified toil in Ka-Man Tse’s work, his shots bright with light caressing that which has been left to decay, and the things made grey by the dust of struggle, progress, and hard work.

Karl Östlund
Complexing man and machine into mecha designs that stand alone, Karl Östlund ushers us out of the EVA age and into something brand new: painfully awesome suits that reflect humanity sharply while still being mechanically alien. So cool.

limirsmath
Bright with a kind of glowing carnal glamour, limirsmath’s shots, with their dusky gradients and reflective forms, champion the modern-day Venus through his eye; reigning over not just beauty or love or desire, but all three at once, they—and he—transmit the amalgamation with charm and grace.

Seung Eun Kim
It’s been a long time since the tough looked this cool or the heroic this charmingly so, but with his clean lines and an effortless one-two combo of old and new school shading techniques, Seung Eun Kim pulls it off with all the sangfroid of Spike Spiegel.

Natasha Simba
The treachery of Natasha Simba’s images! Reflection, refraction, multiplication, double exposure—viewing her work feels like stumbling heady-headed through a vertiginous tunnel of urban midnight, knocking into the phantoms of memory and the specters of rapid-pulsed mania. Fragmented, elastic, beautiful.